#1608 Journey Through The Past

 

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Time to take a journey through the past. In both of these beautiful stories from Melbourne we meet two women, each reflecting on a connection to their old lives and exploring relationships lost.

Little Girl Lost by Made Stuchbery

Have you ever returned to a place from your childhood, only to find everything has shrunk down, and all the buildings and the rooms feel smaller than you remember?

Then you realise that it’s not the room or the town that got smaller. It was you that got bigger, and everything else stayed the same.

Made returns to an old bush track, fearlessly trodden in her childhood, to find past memories haunting her.

Supervising Producing by Bec Fary and Bethany Atkinson-Quinton

Music: Domino by Van Morrison, Beside you by Van Morrison

Goodbye Claude by Izzy Roberts-Orr

Goodbyes are hard, but often necessary. Sophie says goodbye to Claude for the last time, and ponders the significance of this particular break-up.

Compiled and edited by Selena Shannon

Music: Koi by Amorth

 

Executive Producer: Selena Shannon

Vic State Coordinator: Bethany Atkinson-Quinton

Community Coordinator: Aidan Molins

Presenter: Pip Rasmussen

Image: Flickr Creative Commons user Toni Fish

#1541 Wish You Were Here

Earlier this month, our Melbourne Collective hosted a listening party with stories and sounds about distance. Last week on the show, we picked up signals from faraway. Today, in Part 2, we’re finding out what happens to the people who stay home. How do you communicate across distance? Can you bridge the gap?

Compromise

Michael and his partner Manderlee navigate the landscape of sharing a bed and try to figure out what’s better: sleeping alone, spooning, or a pillow substitute? You can hear a longer version of this story on the SleepTalker website.

Produced and scored with original music by Michael Brydon.

Can You Hear Me?

Mobile technology can put us in the pocket of someone on the other side of the world. But when the signal drops out, we might end up even further away than before. In this story, we wade through static on a long­distance phone call. Produced by Bec Fary.

Mother/Abai

Afghan ­Hazara migrant Taqi Khan came to Australia as an asylum seeker. Afghanistan is still riddled with danger, and the Hazara people are still suffering. Taqi wrote this letter to his mother. This piece features original music, sung in Hazaragi by Taqi Khan.

Produced by Josie Smart and Izzy Roberts­Orr for the ‘Dear/Hello’ segment series.

Honey Jumble/Almond

Izzy (aka ‘Almond’) shares sound letters with her distant pen pal, John (aka ‘Honey Jumble’).

Produced by Izzy Roberts­Orr.

Music credits ‘Mr E.’s Beautiful Blues’ by Eels, ‘PS’ by The Books, ‘Untitled’ by Barr, ‘Sensitive Fuck’ by Major Napier, ‘I’ll Be Right Here’ by Parking Lot Experiments.

Oceans Apart was produced by the All the Best Melbourne Collective: Bethany Atkinson- Quinton, Michael Brydon and Bec Fary. The music at the end of this episode is ‘Can’t Take You With Me’ by Bahamas.

Supervising Producer: Bec Fary

Features Executive Producer: Heidi Pett

State Coordinator: Bethany Atkinson­Quinton

Community Coordinator: Aidan Mollins

Presenters: Pip Rasmussen and Michael Brydon

#1533 Does That Ever Work For You

People who knock on your door asking you to change your religion, or to believe in the impending apocalypse. Infomercials. Pick up lines. Detox diets, click bait and pop up ads. There are things that people try again and again that you think would never work but they must sometimes, or surely people wouldn’t bother. Today on All The Best we’re asking: Does That Ever Work For You?

Takedown

David Blumenstein is a Melbourne based cartoonist. On November 6 last year, he went down to St Kilda Pier to wait for Julien Blanc to arrive. Julien’s an American pro pick up artist and, when he tried to run workshops in Australia became the target of one of the most successful anti-PUA campaigns ever, collected around the hashtag #takedownjulienblanc. So successful that venue cancelled on him in the face of the outrage, and then he tried to hold the workshop on a boat. David sits down with our EP Heidi Pett to talk about his evening on a pier with pick up artists and protesters. You can get the comic book here

Produced by Heidi Pett

Mate

What does it mean when somebody you wanna date calls you mate? This story is from our mates (who we also probably wanna date) over at Private Parts, a brand new audio art project by Irit Pollak and Elin Andersson. They call it a collective memory bank that explores identity and perception from a gender perspective, and you can find them at partlyprivate.com and in iTunes. Go on.

Produced by Irit Pollak, Elin Andersson and Izzy Roberts-Orr

Music by The Twerps

The Dog Ate My Homework

There’s a program called Writing Workshop here in Sydney – they do workshops, on writing, for kids in school. It’s run by a guy called Bernard and  he’s got this great thing where if the kids miss a class, they have to write this totally outlandish excuse letter, telling the story of why they couldn’t make it. It probably works better than “the dog ate my homework”. We got them to come into the studio one Sunday and record them for us.

Thanks to all the kids who took part, Amy, age 12, Belle, age 16, Julia, age 18, Annalise, age 10

Produced by Zacha, age 38 & Lily, age 24

#1523 ‘Limits’ – EWF Special

What happens when you send seven writers and seven producers to Docklands and force them to make a radio for a whole day? Well, it’s interesting.
All the Best teamed up with the Emerging Writers Festival to develop new stories on the theme ‘limits’ and this is what they created. We were at the city limits, on a time limit – it seemed fitting.
This episode features stories created on that day – a poem about the unluckiest man in history, a sci-fi tale set at the Docklands which may or may not be fiction, and the story of family pushed to their limits.
Two By Two
Written and produced by Georgia Symons and Michael Brydon
George Danton
Written and performed by Peter Salvatore Matthews
Produced by Zacha Rosen
Family Limits
Written and performed by Romy Durrant
Produced by Carly-Anne Kenneally
The Tropics
Written by Loni Jeffs
Produced by Emma Jensen
Coordinated by Izzy Roberts Orr and Jess O’Callaghan

Features Executive Producers: Jess O’Callaghan and Heidi Pett

Presenters: Pip Rasmussen and Michael Brydon

Image Credit: Jes / Flickr

Music Credits: ‘Radio Gaga’ by Queen, ‘Docklands’ by Stevie Nicks

#1515 A Walk In The Park

 

When 17-year-old Masa Vukotic was murdered in the Melbourne suburb of Doncaster while out for a walk in a park near her house, the Victorian Homicide Squad Chief responded to the tragedy by suggesting this: “…people, particularly females, they shouldn’t be alone in parks…I’m sorry to say that is the case.”

And it hit a nerve. Because women shouldn’t be afraid for their lives walking in a park. A walk in the park should be a walk in the park. An evening run should be an evening run, a night out should be a night out, a drink should be a drink, a date a date. Riding a bike home should be something we can do without fearing for our lives.

This week on All the Best we look at the chasm between a walk home for women and a walk home for men. We tell stories of street harassment, violence against women, and varying experiences of public places.

Women are already walking in fear – what does it mean when those in authority suggest they shouldn’t be walking at all?

Thanks to everyone who contributed to this episode: Lucy Watson, Ebony Bennett, Jane Gilmore, Jenna Price, Lily King, Hannah Reich, Bec Fary, Rose Randall, Josie Smart, Izzy Roberts-Orr, Bethany Atkinson Quinton, Tess Lawley.

Original sound design on our walks home was by Alyx Dennison.

 

The Hoopla published an extended version of Jane Gilmore’s Facebook Status, titled ‘Don’t, Don’t, Don’t Get Yourself Killed’

You can read Lucy Watson’s story ‘Reflections On My Assault, One Year Ago Today’ on New Matilda.

Here’s Jenna Price on shouting back at street harassers.

And a break down of that report by the Australia Institute on Australian women’s experiences of street harassment.

 

Features Executive Producers: Jess O’Callaghan and Heidi Pett

Presenters: Pip Rasmussen and Michael Brydon

Image Credit: A public space text-based projection by Melbourne artist Stephanie Freda Leigh

Music Credits: Original sound design on our walks home by Alyx Dennison. “Take It All” by Evelyn Ida Morris. White Sheet Beach.