This week, we go analog by exploring how to document memory through physical media. And to pull back to back from the interconnected digital world and just … sit with art.
You get to hear why some of our friends at fbi.radio are stepping back from digital. Also fbi.radio is awesome. Please give a little love, be a supporter.
Special thanks to Tommy, Benny, Jasmine, Lindsey and Catarina for being a part of this episode.
The Analog-ish Revolution by Kwame Slusher
Kwame even made a 7-minute rant story about paring back the digital and going analog-ish.
Produced by Kwame Slusher
Tintypes by Maya Fawaz
In an age where everyone has a high-quality camera in their pocket and a cloud claiming their photos, people are going even more analogue than a digicam. And then some people … like Cole Caswell … are going even further than that.
Produced by Maya Fawaz
Supervising Producer was Persephone Waxman.
Year 2537 by Sepehr Jamshidi Fardi and Eugenia Zoubtchenko
This one is from the archives!
On his shelf in Sydney, Sepehr has a camera from the future. Sepehr’s father’s camera allows him to reflect on a pivotal moment from the past of the country he was born in … Iran.
That story was produced by Sepehr Jamshidi Fardi and Eugenia Zoubtchenko
If you want to know more about what’s happening at All the Best, check out our Substack! It’s a round-up of all our activities … with a little bit of BTS.
And the deadline for our first Audio Club challenge is on 23 March. And we plan to have a little listening party.
All are welcome!
All The Best Credits
Host: Gabriella Accaria
Executive Producer: Melanie Bakewell
Programming & Community Coordinator: Catarina Fraga Matos
Production Manager: Kwame Slusher
Community Coordinator: Patrick McKenzie
Theme Music composed by Shining Bird
Cover Art: Ray Vo
Special shout-out to all our volunteers.